This talented and widely known artist in question was raised in Los Angeles, California. A Hollywood, California native, Alison Van Pelt came into this world on September 16, 1963. Growing up, she eventually decided she wanted to be an artist.
As she grew up, her formal education in art began in the 1970s, and studied in various educational institutes. In America, at UCLA, the University of California, and the Otis Parsons Institute, and in Italy, at the Florence Academy.
As she grew up in the 1970s, her artistic skills blossomed. The photorealistic style of her paintings was welcomed among her fans and critics during that time, where picture taking was being assimilated into the artistic world. They welcomed her evocative, distinct style, which identified with the feelings of that '70s age.
She was inspired by many other painters, such as Agnes Martin, Paramahansa Yogananda, Robert Rauschenberg, Helmut Newton, Yayoi Kusama, Hunter S. Thompson and Dan Millman. They gave the very talented and young American female artist the motivation and influence, which evolved into her unique, recognised style. She learned how to adapt the images of figures or other subjects and how she would paint them. Naturally she evolved her own methods, and discovered the complex process which is still hers today. Her beautiful, mystical, but purposefully-degraded interpretation of her subject, always brings her own conclusion to the finale.
The passionate young artist went on to develop a truly painstaking technique all her own. She created revealing, yet mysterious paintings with her unique technique. She essentially humanized her works instead of idealizing them. She began her captivating process by referencing a photograph, or other image. She would paint a realistic portrait of the item after drawing the reference by hand first. Finally, obscuring the carefully rendered image was the last stage in her complex process.
Of course, her works have been exhibited in galleries as the only artist in Europe and North America. Her unique paintings were shown in The Drayton Art Institute and Fresno Art Museum. Her creations are also in public collections such as the Armand Hammer Museum, Jumex Foundation in Mexico City, Los Angeles County Art Museum, and the Studio Museum in Harlem. She now resides and works in the city of Santa Monica, California.
When you first see the paintings at a distance, most of her images may first appear soft, as if they might have been captured through a veil of some kind, but this changes as you approach more closely. When you focus nearer, you begin to see vertical lines, and then lines horizontally emerge, as a sort of weave.
Critics of this talented female artist have labelled her paintings as "abstract" artworks. However, her answer to that opinion is that for most art viewers, her unique abstract process absorbs and brings together the traditions of contemporary abstraction and portraiture. It's up to the one viewing whether her paintings are going into the actual world, or are really receding into the main regions of the canvas. The renown artist has never replied with an answer to this perception, she leaves it up to each individual viewer to make up their own mind.
As she grew up, her formal education in art began in the 1970s, and studied in various educational institutes. In America, at UCLA, the University of California, and the Otis Parsons Institute, and in Italy, at the Florence Academy.
As she grew up in the 1970s, her artistic skills blossomed. The photorealistic style of her paintings was welcomed among her fans and critics during that time, where picture taking was being assimilated into the artistic world. They welcomed her evocative, distinct style, which identified with the feelings of that '70s age.
She was inspired by many other painters, such as Agnes Martin, Paramahansa Yogananda, Robert Rauschenberg, Helmut Newton, Yayoi Kusama, Hunter S. Thompson and Dan Millman. They gave the very talented and young American female artist the motivation and influence, which evolved into her unique, recognised style. She learned how to adapt the images of figures or other subjects and how she would paint them. Naturally she evolved her own methods, and discovered the complex process which is still hers today. Her beautiful, mystical, but purposefully-degraded interpretation of her subject, always brings her own conclusion to the finale.
The passionate young artist went on to develop a truly painstaking technique all her own. She created revealing, yet mysterious paintings with her unique technique. She essentially humanized her works instead of idealizing them. She began her captivating process by referencing a photograph, or other image. She would paint a realistic portrait of the item after drawing the reference by hand first. Finally, obscuring the carefully rendered image was the last stage in her complex process.
Of course, her works have been exhibited in galleries as the only artist in Europe and North America. Her unique paintings were shown in The Drayton Art Institute and Fresno Art Museum. Her creations are also in public collections such as the Armand Hammer Museum, Jumex Foundation in Mexico City, Los Angeles County Art Museum, and the Studio Museum in Harlem. She now resides and works in the city of Santa Monica, California.
When you first see the paintings at a distance, most of her images may first appear soft, as if they might have been captured through a veil of some kind, but this changes as you approach more closely. When you focus nearer, you begin to see vertical lines, and then lines horizontally emerge, as a sort of weave.
Critics of this talented female artist have labelled her paintings as "abstract" artworks. However, her answer to that opinion is that for most art viewers, her unique abstract process absorbs and brings together the traditions of contemporary abstraction and portraiture. It's up to the one viewing whether her paintings are going into the actual world, or are really receding into the main regions of the canvas. The renown artist has never replied with an answer to this perception, she leaves it up to each individual viewer to make up their own mind.
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